LandEscape Art Review // Special Issue | Page 128

Land scape
Chung Nguyen Van
CONTEMPORARY ART REVIEW
Now, I have materials are numbers in my work. With this topic, I will also compose the work more interesting. About structure of painting, when drawing I usually imagine a little bit, I can’ t imagine 100 % what it will look like, because my watercolor drawing on paper is accident like instrumentalist plays jazz, the creation or idea appears continuously.
Structure of work is always in balance, the balance which it is very hard to explain, it is like invisible something in my soul. When I see the work, I realize it is okay or not. For example, the work has many numbers or few numbers is still okay, and they are not the same as the others. The work will be followed by the work.
One of the hallmarks of your work is the capability to create a direct involvement with the viewers, who are urged to evolve from a condition of mere spectatorship. So before leaving this conversation we would like to pose a question about the nature of the relationship of your art with your audience. Do you consider the issue of audience reception as being a crucial component of your decision-making process, in terms of what type of language is used in a particular context?
This question I like it so much. I have many relationships with people who love the art, not only art lovers but also artists, painters. The strongest channel is social network, for example, Facebook. If you enter into my Facebook, you will see, my Facebook like a market of United Nations, full nationality. Herein, we learn and discuss from each other. As I have the work on landescapeart magazine, it is a great way to have more audiences. It is very important!.
Thanks a lot for your time and for sharing your thoughts, Nguyen. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving?
Art lovers admire me; follow me on social network, on facebook. You will see I grow up day by day, because I create the art continuously, I always have new work. The demand of creation in mine like people need oxygen- my creation is unlimited.
Meet you at new success and creation. Please call me: Chungpainter
An interview by Katherine Williams, curator and Josh Ryder, curator landescape @ europe. com