Land scape
Lamberto Acyatan
CONTEMPORARY ART REVIEW
control , and about two years of Japanese occupation failed to delete . It ’ s the persistence of the indigenous people ’ s collective memory that I aimed to portray with epoxy . I chose to become part of the continuum with those art pieces .
One can only play effectively with chance and improvisation when already armed with the basic foundations of art production . The imagined can only become relevant when there is a perceivable connection to what is real .
Blending with the environment is the ideal approach but there could be cases when specific images may be installed as required in the project brief . You may say that flexibility is my middle name .