Land scape
Lamberto Acyatan
CONTEMPORARY ART REVIEW
control, and about two years of Japanese occupation failed to delete. It’ s the persistence of the indigenous people’ s collective memory that I aimed to portray with epoxy. I chose to become part of the continuum with those art pieces.
One can only play effectively with chance and improvisation when already armed with the basic foundations of art production. The imagined can only become relevant when there is a perceivable connection to what is real.
Blending with the environment is the ideal approach but there could be cases when specific images may be installed as required in the project brief. You may say that flexibility is my middle name.