Liana Psarologaki
Land scape
CONTEMPORARY ART REVIEW
but never singular in terms of discipline. I take it that the term language in this context is a critical one; it implies a visual vocabulary, and a syntax. Because the work attempts to establish the ontological relationship between architectural and artistic space, the vocabulary used is common for architecture and art as spatial practices. This is expressed via processes and methodologies, creative application of particular media, and the fusion of methods into hybrid models of making. This is autonomous from the audience capability to fully read the work, which is something that very little determines the outcome of the creative process.
Thanks a lot for your time and for sharing your thoughts, Liana. Finally, do you have anything else coming out in the near future our readers should look out for? How do you see your work evolving?
Thank you very much for the invitation. After an intensive year on terms of making and publishing internationally, I am back in the studio experimenting with more physical media in 2D and 3D. My next endeavour is to publish my doctoral thesis as a monograph and I am currently in conversation with editors about a book proposal. All news will be published in my new website Aylos Topos’( www. aylostopos. com), which stands for‘ Immaterial Locus’ and is now launched as an online platform for presentation, publication record, and debate. Stay tuned!
An interview by Katherine Williams, curator and Josh Ryder, curator landescape @ europe. com