Hyunji Lee
Land scape
CONTEMPORARY ART REVIEW
the common experience at some level of cultural dislocation; the experience of cultural displacement, living in another language, and being in the position of constantly having to translate myself for others as well as others for myself. To evoke this sense and allow the viewer to experience it, I use disrupted and distorted images that I remembered rather than describing or explaining it for them.
As you have remarked in your artist ' s statement, you strive to evoke the interaction between personal memories and the desire to link personal elements into a shared human experience. So we would take this occasion to ask you if in your opinion personal experience is an absolutely indispensable part of a creative process... Do you think that a creative process could be disconnected from direct experience? a new place, but by discovering the hybrid form as a principle of meaningful order within the apparently confusing and contradictory sense of an unfamiliar world. My cultural dislocation becomes evident as my way of seeing changes and I begin to look at surroundings as an interested participant rather than as a spectator.
We have a natural network based on
I focus on the distortion between actual experience and memory. Memory is abstracted experience; Even in the hypothetical event that several people share the same experience, the mental imprint of that incident will vary among them, since they will unconsciously single out different elements of the experience to commit to memory. What I want to do is figure out how to get out of my own way sometimes, and