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NEW FOR 2026
Where classic heritage meets custom creativity
Discover the brand-new Zircotec Modified Zone( powered by Copacetic Magazine) in Hall 5, bringing together 19 distinctive modified classics, all pre-2006, alongside the specialists and brands shaping the scene.
From bold paintwork and custom wheels to imaginative engineering and one-off interiors, these builds showcase the individuality and innovation keeping the classic car scene evolving.
HALL 5
MEET THE BUILDS
19 MODIFIED CLASSICS. ONE VERY DIFFERENT DISPLAY.
SMALL CARS, BIG PERSONALITIES
Peugeot 106
OWNER: Arran Newman Producing 175bhp with Jenvey throttle bodies and a Quaife limited-slip differential, this lightweight Peugeot features extensive track-focused upgrades.
“ The Smurf” | 1982 Mk1 Volkswagen Golf GTI
OWNER: Sam Devine Honda K20-powered Mk1 Golf GTI finished in striking Porsche Riviera Blue. Classic Volkswagen styling meets modern Japanese performance.
“ Rita Sue” | 2003 Mk1 Ford Focus RS
OWNER: Matt Adams 533hp Zetec Turbo power makes Rita Sue a genuine YB slayer. Imperial Blue paintwork and carbon-fibre detailing complete this formidable Focus RS.
Mini City E
OWNER: Chris Denn BMW K1200RS twin-cam cylinder head and individual throttle bodies deliver 125bhp. Wide arches and custom aerodynamics complete this unconventional Mini.
Fiat Panda
OWNER: Joe Ward Weighing 714kg with a 132bhp Punto engine, this competition Panda features handmade aerodynamics and an FIA-specification roll cage.
Fiat 500
OWNER: Charmaine Farn 740cc twin-carburettor engine, polished split-rim wheels and immaculate engine bay detailing complement this Fiat’ s distinctive 1990s-inspired Euro styling.
Autozam AZ-1
OWNER: Matt( Japanesium) Rare mid-engined Japanese kei sports car featuring gullwing doors, Walter Wolf Racing wheels, Mazdaspeed seats and a custom two-tone finish.
Celebrating modified motoring, Copacetic Magazine explores restomods, skunkworks specials and unconventional builds, championing automotive creativity, individuality and fresh perspectives beyond the mainstream.
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