ARTE E CULTURA
Alfredo's father, Giorgio Germont, was played by baritone Roland Wood. This key role combines a father's concern for the reputation of his family, with a sensitivity to Violetta's predicament. Wood was the embodiment of this character, convincing the audience that in fact they are not watching an opera, but gaining insight into a real person’s life. The immense presence that Wood holds over the stage is not overshadowing but rather seems to contribute to the other characters with whom he interacts. His big "Di Provenza il mar, il suol" aria in Act 2 had every member of the audience on the edge of their seats, the tension rupturing into applause afterwards.
Throughout the opera it remains clear that every detail has been meticulously considered, from the intricate scenery, perfectly matched to the tone of the scene by Tanya McCallin, to the brief introduction of the promiscuous Spanish dancers, who definitely didn’t leave much to the imagination. The star of the show is most certainly the conductor, James Southall, who effortlessly brings together the large orchestra, offstage wind, and an ensemble of soloists and chorus members, whilst drawing out every last drop of musical energy that Verdi has to offer. Southall’s intimate knowledge of the score and love for the music is evident, resulting in a performance of La Traviata that overall very convincingly achieves the drama and sophistication that Verdi aimed to create.
Roland Wood and Linda Richardson.-Photo-credit-Betina-Skovbro for WNO