at various heights and locations. They tie the whole space in with the other works which conform more to standard gallery practices for exhibitions. These drawings are the work of Colombian artist Mónika Bravo. They incorporate a translation of musical notation into graphic, geometric compositions.
The Colombian artist Máximo Flórez works of four columns of the series Vigas y Columnas (2016), which seem so basic at first notice, but become ever more complex with close observation are as interesting as a coded message from an alien mind. The work is enigmatic and requires study, but it is like music hanging on the air, or the soft note of a bird in the distance that you do not recognize. It leaves you wanting to
know more.
Austrian Alois Kronschlaeger , sculptures hang in space, defying gravity, and move in space by way of hidden mechanisms. Reflection of the forms reveals new colors which transform the shapes, as do the shadows of the wall pieces which are affected by the light about them as it is changed by the viewers’ movements.
I think that this is an over all successful exhibition that requires the viewer to spend contemplative time accessing. It is the type of work that could be looked at mindlessly for 15 minutes, or intellectually mined for information
for hours!
and your mind does not immediately find disagreement with the lies. These images bring the two dimensional flat canvases into our space and make us ask where are the shadows of the mind that should be there!
My favorite pieces where the delicate drawings of geographic forms and pencil lines placed directly on the gallery walls. These can be found on all the surfaces and at various heights and locations. They tie the whole space in with the other works which are more conformed
to the gallery standard practice of exhibition. These are the works of Colombian artist Mónika Bravo. They incorporate a translation of musical notation into graphic, geometricy favorite pieces where the delicate drawings of geographic forms and pencil lines placed directly on the gallery walls. These can be found on all the surfaces and at various heights and locations. They tie the whole space in with the other works which are more conformed to the gallery standard practice of exhibition. These are the works of
The Colombian artist Máximo Flórez works of four columns of the series Vigas y Columnas (2016), which seem so basic at first notice, but become ever more complex with close observation are as interesting as a coded message from an alien mind. The work is enigmatic and requires study, but it is like music hanging on the air, or the soft note of a bird in the distance that you do not recognize. It leaves you wanting to know more.
I think that this is an over all successful exhibition that requires the viewer to spend contemplative time accessing. It is the type of work that could be looked at mindlessly for 15 minutes, or intellectually mined for information for hours!
Khipuz - Exhibition
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