Kanto Vol 3, 2018 | Page 43

“The authenticity of the place [Escolta] and the beautiful architecture are things that’s hard to find anywhere else in the city.” Kudos to you and the young folks who have contributed to bringing life and a promising future to what was once the city’s busiest street. What made you believe in the potential of Escolta? The authenticity of the place and the beautiful architecture are things that’s hard to find anywhere else in the city. That, and the openness of the Syliantengs when it came to new and creative approaches of reintroducing Escolta to the new generation. These factors are what made the community what it is right now. How has the city and Escolta influenced your work and approach to graphic design and branding? With the endless visual inspirations around the city and our love for abundance—or the aesthetic of it—gave our practice more focus on what’s straightforward and essential. The purity of what’s left in Manila reminds us of what’s important and needed. Our exposure to Japanese and Swiss designs helped us also in sifting through the details that matter when it comes to visually communicating the core of anything that we work on. The Practicing Misis cookbook cover art What’s a normal day in the office like? We usually open the studio before lunch. Then we say hi to our neighbors who have become very good friends— especially the guys at one/zero design collective since they’re just next door. Sometimes, we drop by the Kalsada Coffee office at the fourth floor when they have new beans from their farms or dark chocolates they might want to share, but usually we grab our first cup at The Den. Then we proceed to the usual work day that sometimes include entertaining visitors who would like to check our studio or Standard Objects—this little shop we set up inside the studio. Other creatives and friends drop by every now and then to bounce off new ideas for Escolta and other initiatives. As of now, most of the work output we see from the studio are Escolta-centric. What design works and projects can we expect to see from the studio in the future? We haven’t had the time to put much of our work out there but we’ve been consulting for various government agencies like Intramuros Administration, Nayong Pilipino, Department of Tourism, Department of Transportation, MMDA, etc. Not much has changed since we started in terms of focus, we still want to work with government agencies, non-profit organizations and start-up companies. 41