Kanto Vol 3, 2018 | Page 28

LENS We’ve come to a time when people take pictures mostly to promote a certain aesthetic and rarely to preserve a meaningful moment. Do you find yourself doing that sometimes, too? For future creatives, how would you advise them to move past mere image-building into a more genuine storytelling? Who hasn’t, really? If there’s anything I learned from my trips, it's that you’ll eventually grow out of it, at least for me and my friends. Taking a few good photos together is enough. Personally, since I like taking photos of the places I visit, I just capture the things I find interesting and wait for those subjects to appear before me. Do you have a dream city to explore and capture? Yes, Tokyo and Bagan. Hopefully [I get to visit] either one of those by next year if I get enough miles. Tokyo, I guess there’s no need to explain why. Even Anthony Bourdain or Andrew Zimmern had nothing but praises for Tokyo. Bagan, on the other hand, looks amazing and not yet overrun with tourists. And with the thousands of ancient temples built centuries ago I’m sure I’m going to enjoy it. What is your hope for Manila? For everyone to appreciate its contribution to the storied past of the Philippines. And, naturally, have everyone respect the city that they live in. By that, I mean not throwing trash wherever they feel like it. When you visit Fort Santiago and stand atop the old stones of Baluarte de Santa Barbara overlooking Pasig River, just imagine how a dead rat smells like and multiply that by a hundred. That’s how foul smelling Pasig River is—this, considering that Pasig River stretches over 25 kilometers of Metro Manila. While NGOs like “Kapit Bisig Para Sa Ilog Pasig” certainly contributes to the cleanup, it can only do so much without the help of the national government. Binondo, Manila, Opposite page: Home run Follow Jose’s adventures in and out of Manila at themanilaproject.com. Follow @themanilaproject on Facebook and Instagram. 04 26