Kanto Vol 3, 2018 | Page 12

AN G L E S “We hope that through this project, each student gets to appreciate our heritage and eventually, have the desire to conserve Filipino Architecture in the future.” Through this model, we get an overview of these districts and see how these heritage structures stand hidden among all the new ones. These buildings are enduring examples of architects designing according to their times and adapting them to the Filipino needs, climate and aesthetics. We hope that through this project, each student gets to appreciate our heritage, and eventually, have the desire to conserve Filipino Architecture in the future—and as designers, be inspired to create responsive, contextual and timeless designs as exhibited by these buildings. The model is designed to expand to cover the other districts of the city of Manila. The project is currently at Phase Two and is focusing on the built-heritage found in Binondo & Intramuros. As the model is envisioned to expand, we are launching it as a collaborative project in modelling Manila’s buildings focusing on its built-heritage; collaborating with different fields such as multimedia arts, production design and graphic design to produce themed-video projection presentations for the 3D Model Map; such as The Battle of Manila, Manila’s Open Spaces: Social and Green Spaces, Manila’s Urban Planning, Burnham’s Manila, etc. Ultimately, the model is intended to be an educational tool in presenting, studying and analyzing Manila’s history, architectural history, and present urban condition. Follow Manila Heritage Visualization Projects on Facebook @mhvizproj. Clockwise, from top right: Faculty and student proponents of Manila Heritage Map; the model setup; detail shot of The Met Theater 3D-printed model 10