Kanto Vol 1, 2018 | Page 35

“A lot of people said they loved the book, but that their children loved it more. They're reading the books to their kids at night.” What were some of the Overview images that made a lasting impression on you? Why so? I would have to say it was one of the ones I discovered first, of a refugee camp in Kenya. It was a beautiful image with reds and browns and symmetry set amidst a stunning landscape, but then when you learn about what you’re seeing in the image—the world’s largest refugee camp with more than 450,000 displaced refugees—you have to take a step back and consider the fact that you can enjoy the aesthetics of something that you’re looking at but also struggle with the fact that you still like it. I think that is exemplary of what the project has become. It’s a new and interesting way to often show things that are destructive or negative. It's made me realize just how powerful imagery could be. and it was just so interesting to hear that the kids were loving it so much. And this inspired me to start another conversation with Penguin Random House to explore the idea of doing a children’s book, so it was an idea that came from other people and now it is potentially going to happen. This is an amazing example of putting an idea out there and getting to see how people react to it and who might like it, to find that its very different from who you imagined it to be, and that it can lead to new and exciting opportunities. Where do you intend to take the Daily Overview project next? I would love to open a physical space. A gallery in San Francisco, where I live, to not only have somewhere to display our imagery and our art but also to hold events and talks related to the overview effect. I don’t necessarily know what the timeline is for a project like that, but that’s where I see it going. What inspired your decision to create a book out of the Daily Overview project? I’ve always thought of doing a book. I think it made a lot of sense to bring together what I’ve done so far in a cohesive, beautiful and tangible way. It’s amazing to have something physical and solid to show your work rather than something that just exists digitally. It’s a wonderful feeling to be able to hand someone a book and say that it’s representative of what you do. This is our Starters issue, basically where we celebrate that initial stage, the stage where you start things. However like all things that begin, there is an end. Have you foreseen the end of the Daily Overview project and are you considering starting off a new one? I would love to. I think I need to get this project somewhere that is self-sustaining, where I can kind of move away from it, or end it at some point. But I don’t think the project will continue to exist exactly as it is now. I see it changing and doing a whole number of different things. That’s a decision for me to make over time. It’s a great question. I’ll have to make a decision as I go along to see what makes the most sense, but I can see it going either way. Are there any interesting anecdotes or instances related to the project and its viewers, perhaps how they reacted to the images, that made a mark on you? One thing that happened that I love to talk about is when the book came out, a lot of people said they loved the book, but that their children loved it more. They’re reading the book to their kids at night. And they were able to teach them new stories about the environment, about what we’re doing to the planet, and then teach them the concepts Keep an eye on the world with the Daily Overview on Instagram at @dailyoverview and at dailyoverview.com 33