Kanto Vol 1, 2018 | Page 16

ANGLES Some of the cities covered by Blue Crow Media's portfolio of architecture and design-themed maps include Paris, London, New York, Berlin, Sydney and Tokyo to name a few. Not many people like Brutalism, and buildings from the era are being razed regularly. The value of the maps are quickly shifting from exploration to documentation. Tell us about the process of putting an architectural city map together. How do you create the maps? Once I've decided on a title and found an editor, we discuss the buildings to potentially go on the map, the editor does her research, and I commission a photographer to shoot a selection of buildings. Meanwhile, Jaakko works on the design. If sales are good from the previous map, we'll visit and explore the city with a rough draft of the map and tweak appropriately. Then off to the printer. Are there plans to create architectural maps for other styles and typologies? I've published a few others including a Constructivist map of Moscow, an overview of 20th century architecture in Berlin, and maps of concrete architecture in New York and Tokyo. Recently, I published the first in a new series featuring the design of transit systems with the London Underground Architecture & Design Map. How were the company's early days? Did the idea of architecture-themed maps generate your desired figures on the first try? I'd been publishing as Blue Crow Media in a few mediums and with a variety of subject matters before the architecture maps, so I knew what I was doing by the time I published the first Brutalist map. It's taken a while to build up to a place where I don't have to constantly check my accounts, but I'm aware that what I am doing is very niche and could easily stop generating revenue one day. So I have to stay on my toes and ahead of the curve. What factors inform your selection of cities to create maps for? I really think you should consider Manila for your Brutalist maps series as we have quite a collection. I'm up for it! Obviously, margins are thin in map publishing and some maps do well while others take a loss. It's a matter of balancing this to keep the business afloat but also to ensure that the titles are interesting. I look out for cities with a robust number of independent book shops (the maps do not sell in chains) and interesting, under-appreciated architecture. 14