Kanto Kanto No. 4: Craft | Page 76

STRIDE “There are people behind these products. We want our clientele to react to our products as the fruits of the hard work of talented, hard-working people. It is not just about product itself.” Bottom right: Wave Lo Black Ocean LE FLOW footwear's signature feature is its paint- injected soles. What inspired this touch? It really started with a painter called Akihito Takuma. I loved his paintings. He has a special drying technique, which really got me thinking hard on how I could incorporate mixing different paints into footwear. I wanted to do something different instead of just splash painting on the shoe. I started brainstorming and experimenting with my sole factory on how it can be done. We then started injecting liquid rubber with paints, and while the result was amazing, the sole factory told me that there was a “problem”. Each shoe is going to be different. I was like, “Wow that is amazing! That's what I want! Let's do it and make it our signature.” What is admirable about your product is the individuality each shoe possesses with the paint- injected soles. How has your clients reacted to this artistic touch? I think the Asian markets were the first to really love and embrace it. Some people are a bit scared and unsure of it because they are afraid not to know what the final product will look like. But generally the feedback is great, and people have been intrigued. How would you describe the designer sneaker industry today? How do you run LE FLOW as a response to these conditions? I would say that the designer sneaker market is super strong and super dynamic but very brand-oriented like the big brands. They are the automatic leaders. The way I 74