Kanto Kanto No. 4: Craft | Page 62

C A N VA S Megan personally enjoys the aspect of creating by herself and calls it “empowering”. She explains, “Everything is straightforward and immediate—essentially, it is as simple as making something and putting it out. It really gives us full creative control which allows us to stay true to the work we want to make. Mainstream publishing doesn’t afford us the same.” While she acknowledges how “zines in general have [recently] been improving in terms of quality”, she still thinks that “what I’ve been doing so far through self-publishing would be possible through mainstream publishing companies. It’s also really important to note that this has always been the point, to subvert the existing practices and conditions.” “Genuinely collaborative” The feminist-oriented, indie publishing group Gantala Press was founded by Faye Cura in 2015. Today, the press is comprised of women artists, editors, and writers who volunteers their time and efforts into publishing books and holding activities that tackle important subjects such as violence against women, state repression of activists and farmers, food production and land reform, war and internal displacement, lesbian invisibility, migrant work, and workers' rights. Most of their recent works have focused on engaging with communities that "do not have the means nor the inclination (because they never thought it was an option) to write their own stories and have their stories heard." The collective explains, “We believe that everyone has a story to tell and that sharing this story is a valuable contribution to the collective action of speaking out, of claiming better living and working conditions, of demanding for justice accountability, etc.” They are currently in collaboration with the Amihan National Federation of Peasant Women, and have previously worked with the NAMASUFA union workers on strike and KASAMA-LR, a group fighting for genuine land reform in Cavite. Through these community writing projects, where they immerse in communities to conduct workshops and collate literary outputs directly from community members, they hope “to document the lives of ordinary Filipina women in their own words” and “encourage more women to speak out against everyday forms of oppression and violence”. They add: “We hope that these texts would serve as a valuable resource for students, so that the scholarship on women, land, and history would grow and more Filipinos would have access to local knowledge and wisdom which will inform our collective pursuit for a better life.” Gantala Press is more interested in publishing “genuinely collaborative, truly collectively written work rather than individually authored”. She explains, “The more writers there are, the more issues are discussed, or the more perspectives are offered if there is only one issue at hand.” 60 “[Independent publishing] has helped me recognize that if you’re involved in any kind of art, you can’t remain in a vacuum, and that art-making is senseless without community.” Members of Gantala Press taking part in a demonstration against TRAIN Law.