Behold A City, paper, dimension variable, Art Fair Philippines, 2019 Below: Home: Hoya, blueprint, 24.21 h x 15.75 w in., 2019
we’ve become accustomed or forced to think that way.
Everything has tenure. I read this article that said we are
so protective of our “personal spaces” but only until the
perimeter of our own houses. The moment we step outside
of it, our perspective instantly changes. We don’t care about
and respect our public spaces or common spaces, whether it’s
part of a built heritage or not.
It’s repeatedly said that us Filipinos have lost our national
identity. It’s such an abstract notion for us.
Your works have been shown around the world.
Despite the diverse set of viewers exposed to your
works, what unified responses or views regarding
your art and its message have surfaced? How has this
shaped how you create your art?
It’s hard for me to say if there is a unified response
about my work. I think you just have to focus and set your
intention when working in the studio. It’s also essential to
listen to the people you trust, people who are familiar with
your process. Be open to their criticisms about your work
and your ideas. But at the end of the day, when you get back
to the studio, none of it matters if you don’t do anything.
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