K-OODI Magazine March 2016, Issue 4 | Page 53

observer makes the image his/her own, builds his/her symbolism, his/her own narrative." Which photographers (or artists) would you consider your biggest influences? In this ear of digital technology and social networks, we discover a multitude of good photog raphers. Some of them are better than big names but remain unknown. It also depends on my mood. At the moment, names that come to mind are Rob Daly, Julien Benhamou and Formento Formento. If you could no longer express yourself through photography, what other medium would you choose to explore? With this question, do you wish I were dead? (Laughs) Do you have your own studio? If so, where? I mainly work in a studio in Vincennes, just next to Paris. Although I can't have my own studio, I was lucky to find premises shared with two other photographers. We share our schedules so that we can organize our photo shoots and split the expenses? Is there something you'd like to say to aspiring photographers? Any tips for them? You have to be honest and respectful towards others' work. Each one of us sees things differently, and that's good because that's what artistic wealth and diversity is about. Too many people (photographers and models alike) are self-centered. Sharing, receiving, learning, listening, watching are key words, but not only in photography. What would you say is the essential thing you need to have, if pursuing a career in photography? A quote by Julien Duvivier: "Photography is both a charming and abominable art." I'll let the readers draw their own conclusions. "In this ear of digital technology and social networks, we discover a multitude of good photographers. Some of them are better than big names but remain unknown." For more information about Frédéric Roussel, go to: www.facebook.com/frtphoto www.instagram.com/frt_photo www.frtphoto.book.fr http://500px.com/frt email: [email protected]