K-OODI Magazine March 2016, Issue 4 | Page 110

The Starman blew our minds alright. Bowie and Ronno burst onto our screens like comic book heroes with something to say. in the drab humdrum post flower power turn of the decade, they were saying. "It's okay. Be weird. Be you." In the Spiders from Mars, Bowie had assembled a band of musicians that in ability rivaled the likes of the great Alice Cooper band that recorded the triumvirate of classics 'Killer', 'School's Out', and 'Billion Dollar Babies', but what Bowie had that Alice did not, was Mick Ronson. Mick's innate musical skill, his incendiary guitar playing - was only eclipsed by perhaps his most important talent: that of an arranger. It is my belief that he helped propel that early canon of Bowie's glam rock era to even greater heights. As a young musician, what Bowie brought to my eyes and ears was a sense of wonder. It is almost impossible now, so many years later, to convey the extraordinary sensory journey his songs would take you on. 'Time', 'John', I'm Only Dancing', 'Rock'n'Roll Suicide'... they were magnificent, cinematic, seductive. There was nothing else coming out that came even close to this level of creativity and experimentation, certainly not in the mainstream. Just a line, like "jet brakes are snarling, as you stumble across the road", would set my mind into overdrive with imagery. Bowie's gift to us was to free our minds. Bowie, of course, had an ear for the perfect flavoring when it came to bringing people in to help the songs shine. Be it Linda Lewis, Rick Wakeman, Stevie Ray Vaughn, or the surreal Mike Garson, he always seemed to know the right move to make. It is incredible that in a career spanning so many decades, he barely put a foot wrong. Even when it might have looked like he had, time would normally prove him to have been right all along, merely a year or two ahead of everyone else. His sharp career turn that led to the Berlin trilogy was simply stunning. Once again choosing a wonderful sounding board in Brian Eno, he pushed the boundaries as never before, yet still charting, relentlessly, finding the