July 2016 Magazine | Page 112

The biggest thing I learned was how easy it was for me to dislike something I knew nothing about, and how just experiencing it and learning about it was enough to completely change my mind. By the end of the week, see how you feel about the genre compared to how you felt on the first day. Have your thoughts changed? Have you noticed how the themes or stories of this genre compare with your favorites? Have you learned anything? Personal Story: I used to hate blues music. I just thought it was so lame: the same three chords over and over, and it’s always sad? Ugh. I avoided listening to it until my dad asked me if I might like to join his band. I know most kids would hate the idea of being involved in their parents’ lame music, but my dad happens to be really cool and also an amazing drummer. I agreed without knowing what it was, and of course it happened to be a blues band. Honestly, I went into it with a pretty bad attitude. Why would I enjoy singing nothing but depressing, boring songs all night long? I got my set list and started practicing. I remember the first 112 | Eydis Magazine time I thought, “Hey, this isn’t as bad as I thought.” I started researching blues music and where it came from. I began to realize that any genre can be influenced by blues, just by infusing it with a few simple chords or well-known instruments. It can be a genre all on its own of course, but you can also have jazz-blues, country-blues, and R&B-blues and they all sound different. Yes, the songs were sad, but it was almost a celebration of sadness and the downside of life. It was a part of living to which everyone in the audience could instantly relate. I found myself becoming excited about blues. Now, did the blues cause me to get a new haircut, travel the world, and save millions of orphaned sea lions with cleft palates? Of course not. But it did change my perspective, which I like to believe led to several other small life changes over time. The worst thing that could happen with this experiment is that you try listening to another genre and confirm that you don’t like it. If this is the case, at least now you’ll know why you don’t like it and have a solid argument against it. The best thing that could happen is you discover that you actually do like the genre, and change your perspective slightly in order to accept this reality. Once you’ve done this, you’ll begin to allow other small changes to enter your mind. What if you only thought you hated heights, or sushi, or haunted houses? What if you gave that coworker you don’t like a second chance, and see if you can find something you can at least appreciate? What if you did try that style you thought you couldn’t pull off? It all starts with a simple shift inside your mind, and it’s as easy as turning on the radio. Why not try today? Mella is a session singer, songwriter and producer living in Nashville Tennessee. Also an animal lover, she has three dogs, a rabbit, and any number of foster animals in various shapes and sizes. She is the author of Way Less Cowbell, a book on communicating with session musicians. If you would like more information or to hire her onto your project, please visit www.mellamusic.com