Journal of Academic Development and Education JADE Issue 10 | Page 90
ARTICLE #7 | 91
JADE | 90
LETTER TO THE
EDITOR
Title
DigiFest 2018
Author
Katherine Haxton
Contact
[email protected]
Sometimes
going
more
digital feels like straying into
regions of the map marked
‘here be dragons’; it’s a place
you really want to go but you
also know that it might not be
the smoothest journey and
you may well end up in a bit
of trouble. The 2018 Digital
Festival was a three day tour
of some of those regions of
the map, given by some very
capable tour guides.
h t t p s : //w w w. ke e l e . a c . u k /
academicdevelopment/
learningteaching/
keeledigitalfestival
The highlights for me were
varied. I enjoyed hearing about
some shiny new technology
such as the holo lens to include
augmented reality to enhance
teaching. I enjoyed virtually
decorating
the
exhibition
suite with molecules. It was
also really useful to hear
more about different apps
and features of our Google
accounts,
particularly
G
Suite for education and the
tools readily available to
us such as GoogleForms,
and the upgrades to Gmail
that are coming soon. I’m
looking forward to trying
Google Classroom in the new
academic year, and working
smarter not harder with
technology in general.
There are dragons as Cat
Hallam showed us very clearly.
Technology is only as good
as the uses to which it is
put, and may act as a lens to
magnify unconscious bias and
privilege. Cat provided us with
a succinct reminder that we
must take care to ensure that
we critically engage with the
outputs of digital tools and
ensure that they are respectful
and representive, not just of
ourselves, but of those in our
audiences and of broader
society. Relying on the top
few images in an image search
to illustrate our teaching
materials, particularly when
representations of people
are required is insufficient to
ensure that the images are
truely reflective of the culture
from which the people come,
or the culture we wish to
create in our classrooms. The
underlying theme of inclusivity
continued with discussions
on lecture capture around
enhancing the experience
of students who struggle to
take notes, with Blackboard
being present to talk about
Blackboard Ally, a tool that
can check uploaded material
for accessibility, and on
various talks using technology
to enhance feedback or
opportunities for formative
assessment.
Dr. Katherine Haxton
Senior Lecturer in Chemistry
ARTICLE #7
Title
The Challenges of a Diverse
Curriculum: A Case Study from
the Humanities
Author
Maria Flood
DOI
http://doi.org/10.21252/
KEELE-0000036
Contact
[email protected]
Introduction
The Universal Declaration on
Cultural Diversity states that
‘[diversity is] the common
heritage
of
humanity…
[a source of] exchange,
innovation
and
creativity’
(Silverman and Ruggles, 2007,
p. 36). Cultural diversity in this
sense refers to the positive
valuation of the interaction of
differing social groups, and
contemporary characteristics
of diversity are based on
characteristics pertaining to
ability, class, ethnicity, gender,
language, nationality, religion,
race, and sexuality. Diversity
also implies a non-hierarchical
relationship
of
mutual
inclusion between individuals
with differing characteristics. 1
Within the context of Higher
Education (HE), diversity is
also a key strategic aim for the
internationalization
agenda
of the Higher Education
Academy: ‘a vision to promote
a high quality, equitable and
global learning experience for
all students studying UK HE
programmes, irrespective of
their geographical location
or background’ (HEA). A
focus on diversity has come
to signify a range of policies,
goals, and practices in HE for
example: the Race Equality
Charter which aims to drive
racial equality in terms of
access and outcomes in HE;
pedagogical
research
on
racism in HE and inclusive
practice in the classroom;
promoting
diversity
in
terms of staff employment;
outreach
programmes
targeting
students
from
non-traditional backgrounds;
student and staff-focused
welfare campaigns around
discrimination; and student-
led
initiatives
regarding
the ‘decolonization of the
curriculum’
through
the
introduction of texts and
practices
that
recognize
the historical and structural
inequalities that underscore
pedagogy in the present day.
In this article, I focus on diversity
of curricula in the university,
through a consideration of
the challenges of working
with diverse cultural texts
in the Humanities. 2 I offer
potential
solutions
and
practices that can enrich the
student
experience
when
encountering diverse texts for
the first time. In considering
diverse curricula, I identify
two intersecting issues: the
level of the text itself, which
1. The arguments around the potential for diversity as a policy or strategy
to re-entrench notions of a normative inside and a ‘diverse’, non-
normative outside merit consideration, but are beyond the scope of this
paper. It is worth noting that Maria Scott’s definition of inclusive practice
as it relates to diversity in education emphasizes that a focus on diversity
is not about making diverse students ‘fit’ a particular normative category:
‘Inclusive practice does not assume that the student body is white, middle
class, aged 18 or label them as “different” if they do not possess these
characteristics. Nor does it make the assumption that, if they do not
match this stereotype, they somehow need to “fit in” or “integrate” with
the majority’ (Smith, 2010, p. 215).
2. We use to word ‘text’ to signify an cultural object of study in the
classroom: films, books, music, academic articles and books, art, poetry,
etc.