Jewellery Focus May 2019 | Page 20

COLUMNIST / JANET FITCH | Phira Jewellery Jane Adam’s aim is ‘to treat aluminium as a precious material, combining it as an equal with silver and gold’. Louise O’Neill’s work is characterised by purity of form, made from high carat golds and precious and semi-precious stones. Suzanne Potter formulates wearable sculptural jewellery in precious and base metals, red paint, mother of pearl and reconstituted corals. Joanne Thompson’s designs are created through experimentation with ancient chainmaille patterns, beginning with fine gauge silver wire, using a time consuming intricate unit construction technique. (www.caa.org.uk) Caroline Broadhead is a creative visionary whose career spans 45 years as a jeweller, textile artist and designer. Until her retirement in 2018 Caroline was BA Jewellery Design Course Leader and Jewellery and Textiles Course Director at Central St. Martin’s where she is now Professor Emerita. This year the Lethaby Gallery there held a highly acclaimed retrospective exhibition of her work, and now her newest work can be seen in a solo exhibition, Surface Tension, at Marsden Woo Gallery, SW1, from 9 May -29 June. semi-precious stones. The Spiked collection emphasises the spike’s protective quality and the latest collection, Intersections, is based on interactions that occur randomly to us and in the universe. (www.mariakotsoni.com) House of Ava is a British jewellery house creating jewellery with a distinctive minimalist modern style, committed to being 100% cruelty-free and vegan – the jewellery and packaging are entirely animal derivatives free. (www.houseofava.co.uk) Phira London is a handmade jewellery brand launched in 2016 dedicated to promoting equality by designing gender-neutral jewellery using durable materials and sustainable production methods. The Jamestown signet rings in 925 sterling silver and 18c gold feature semi- precious stones with healing properties like calming white howlite, lapis lazuli, black onyx or tiger eye. (www.phiralondon.com) British jewellery brand Victoria Hyde, launched in 2016, had great success at Baselworld in March with their lovely summer British jewellery brand Victoria Hyde, launched in 2016, had great success at Baselworld in March with their lovely summer perfect watches, the watch faces echoing the flowers and butterflies of London’s many parks | Victoria Hyde | LCW Studio – Daphne Krinos 20 ‘The body, the person the idea of self is fascinating, and I’ve used jewellery, clothing, chairs, shadows and reflections as a means of discovering something about ourselves.’ The new body of work sees the artist returning to the chair form, and demonstrating her diverse practice by incorporating intricately beaded pieces. The Gallery also hosts a discussion event with Caroline Broadhead on her work and the exhibition on 10 May. (www.marsdenwoo.com) (www.londoncraftweek.com) Maria Kotsoni is a jeweller, and graduate of Central St. Martin’s BA in 3D Design (Jewellery). Living and working in Nicosia, Cyprus, Maria introduced her outstanding collections to the UK market for the first time this year since setting up her own label in 1998. Her fine collections are in 18k gold, hallmarked by the Cyprus Assay Office, with diamonds and coloured precious and MAY 2019 | WWW.JEWELLERYFOCUS.CO.UK perfect watches, the watch faces echoing the flowers and butterflies of London’s many parks. The brand is young at heart and affordable and this year is planning further expansion and aims to gain stockists across the UK and Ireland. (www.victoria-hyde.com) In Jerusalem, the Museum for Islamic Art has a fascinating exhibition - Jewelry Making: Past and Present, a rich collection of Islamic jewellery and artefacts, some dating from the 7th century, alongside 45 newly commissioned works by contemporary artists. From 30 May – 16 November 2019. (www.islamicart.co.il) | Victoria Hyde