Italian American Digest JT DIGEST Summer 2018 June First (1) | Page 3
SUMMER 2018
C
I talian A merican D igest
iao AICC Members!
The earliest Italians to come to Louisiana
arrived here as explorers in the 17th and 18th
centuries, including Henri de Tonti, for whom
a street is named.
Between 1850 and
1870, there were
more Italians in
New Orleans than
anywhere else in
the United States;
we had one of the
earliest Italian con-
sulates here. Then
between 1880
and 1920, nearly
100,000 Italians,
main ly Sicilians,
came to the city and made their mark.
Sicilians came to New Orleans to escape
economic and political unrest. Louisiana’s
similar climate to Sicily’s made it easy to
acclimate to the city, but they did face adver-
sity and challenges. New immigrants formed
paesani-based mutual aid societies to support
each other. Many of these societies are still
active today: the Congregazione di San Bar-
tolomeo Apostolo, Società Italiana di Mutua
Beneficenza Cefalutana, and the Contessa
Entellina Society.
In the early 1970s, my father, Joseph
Maselli, dreamed of a heritage-based organi-
zation that would connect all the Italian and
Sicilian Americans here in Louisiana. With
the assistance of amici Dr. Nick Accardo,
John Amato, Otto Candies, Sal Panzeca, Al
Pappolardo, and many others, Joseph Maselli
created the American Italian Cultural Center
(AICC), which opened in 1984. His lofty goal
of connecting Italian Americans in our area
was an immediate success.
In the last three decades, the AICC has
grown and become not just a heritage center
but a center of culture. Here at the American
Italian Cultural Center, we celebrate Italian
art, history, language, sports, and so much
more. The AICC is a space for Italians, Loui-
sianans, and visitors to experience Italy in all
its glory.
In the future, the city of New Orleans and
the Italian community will grow and change.
My hope is that the American Italian Cultural
Center will continue to be a place of com-
munity; to do so, we will renovate our mu-
seum and create an event space to continue
the AICC’s mission of celebrating the Italian
American legacy past, present, and future.
I’m sure the next 300 years will be even
better than the last. Tanti auguri, New Or-
leans!
Warmly,
Frank Maselli
AICC Chairman
PAGE 3
Tricentennial cont. from page 1
Republic of Italy in New Orleans.
- Enrico Villamaino III
JAZZ
Jazz was born in New Orleans.
Though rooted firmly in the genres
of blues and ragtime, jazz is a style
all its own. Did you know that
an Italian had the distinction of
releasing the first ever jazz album?
Domenic James “Nick” LaRocca, a
master of both the cornet and trum-
pet, was the leader of the “Original
Dixieland Jazz Band.”
The Brocato family operates the namesake parlor, which opened in 1905.
Along with his bandmates,
leans for over one hundred years. Angelo Brocato
LaRocca recorded “The Livery
began his apprenticeship in one of Palermo’s most
Stable Blues” in 1917, the world’s first commer-
elegant ice cream parlors at 12 years old. Dur-
cial jazz single! LaRocca also composed “Tiger
ing this time, he learned to master
Rag,” one of the most recorded jazz
the production of assorted biscotti,
classics of all time.
torrone, frutta marturana (marzipan)
Louis Prima, a son of Sicilian im-
and many other confections; these
migrants, made significant use of Ital-
techniques and recipes are still used
ian music, language and personality
by his descendants today.
in his work. Prima would effortlessly
Angelo came to America and
blend his Italian identity with jazz
opened his first storefront in 1905 in
and swing music.
the 500 block of Ursulines Street in
At a time when popular musicians
the French Quarter, where it pros-
were often discouraged from openly
stressing their ethnicity, Prima’s showcasing of his pered in the first half of the 20th century. As
Italian ethnicity opened the doors not just for other business grew, the shop was moved to a larger
Italian-Americans, but performers of all ethnicities location at 615-617 Ursulines Street, which had
space to more accurately recreate the elegance of
to embrace and display their ethnic roots in their
the Palermitano ice cream parlors in Sicily, where
performances.
Angelo Brocato apprenticed.
Walt Disney himself recognized the talent and
Following Angelo’s death in 1946, his sons,
appeal of Louis Prima when he personally chose
Angelo, Jr. and Joseph, continued to operate the
him to lend his voice to the character of “King
store.
Louie” is the animated classic The Jungle Book.
Over the next three decades, the population of
- Enrico Villamaino III
the French Quarter shifted dramatically as Bro-
cato’s customer base moved away from its retail
ANGELO BROCATO’S
store. The widespread use of the home freezer
Angelo Brocato Original Ice Cream Parlor has
been operated by the Brocato family in New Or-
Tricentennial cont. on page 4