Issue No.21 - Polo De’Marco Magazine Issue No.21 - Dubai Edition | Page 22

and orchestrated it. It was thrilling to be in front of an orchestra that is playing your own music. Having spent my life playing great composers myself in front of an orchestra and actually figuring out my own piece was surreal and rewarding. It was amazing to hear it in a way. It wasn’t like I imagined it to be necessarily, but some bits underwhelmed me a little bit. I had a better concept in my head I think. It was a great experience! Q7. You are a multifaceted individual as a classical violinist, a model, and an educator. Being a model, were you ever underestimated, in particular, as being a talented classical violinist? CS: I never chose to be a model specifically. But, I had the opportunity to represent certain brands, I suppose, as a violinist. Yet, those decisions made it more challenging to establish a classical music career. People have brief inceptions about people spending time in the fashion world which is fair enough. It has taken a few years to iron that out, but I wouldn’t have done it any differently. Q8. As a philanthropist, you support many charities. Which charities do you support? And why is it important to you? CS: Over the years, I think you do many things to assist, and their are so many benefit concerts you end up getting involved in, so it’s part and parcel to being a live performer. The Prince’s Trust is great for me because its based in the UK and helping UK businesses and young entrepreneurs in the UK. They do great events. I did an event at Albert Hall and I worked with cool artists. This got me involved with the Olympics in London. I did a few events with that as well! Plus, I’ve been involved with charities in Italy - ‘Children for Peace’ is based on helping children in Africa. Charity finds you if you’re a performer and it sounds so noble when people mention that you do all this charity work. It’s important to always give back! Q9. Classical music tends to be traditional; however, it is never considered as mainstream. You are a well- known artist. Would you ever consider to make it mainstream where it will attract the youth? CS: I think its important to engage the youth, but