Ispectrum Magazine Ispectrum Magazine #04 | Page 26

UNIVERSAL MELODY Pythagoras was perceptive enough to study the musical sounds and their relationship with Mathematics. He maintained that the orbit of the ‘heavenly bodies’ – a term given to all matter of Space: Planets; Stars; Asteroids etc - and their accompanying sounds were in harmony with each other. The result was a beautiful, perpetual universal melody. Plato described in ‘Timeus’ how the Demiurgus forged the world dividing the main ‘substance’ in harmonic intervals. His conclusion, through Epinomis’s voice, was that ‘the heavenly bodies play the best of the songs’, and if we read a little further… Iamblichus wrote of Pythagoras in his book entitled ‘Protepticus’: ‘He used a divine, ineffable and undecipherable power. That is how he could concentrate and listen to the sublime symphony of the spheres. He was able to understand the universal harmony and the concert of the spheres and the Heavenly bodies’. ‘This harmony produces a music much more beautiful and intense than the worldly music’. Whether Pythagoras was the first to be aware of this Interstellar Orchestra or not, it would seem that the comparison between the Cosmos and a huge musical instrument has been assumed from the Middle Ages right through to the present day. So it seems that Iamblichus attributed to Pythagoras a special power – a divine power – one that was indicipherable. He is held as someone with skills far beyond our own. 25