Ispectrum Magazine Ispectrum Magazine #01 | Page 40

for the Powamuya ceremony, or Bean Dance. The Hopi do indeed believe that in the past, the deities literally walked amongst them, but that today, their presence resides in those selected to wear a mask; it is the mask that transforms the Hopi individual into a“ possessed” entity, very much like Jim Carrey in the movie“ The Mask” – though it is clear that, just like with the voodoo dolls, the evil and negative connotations that have been introduced in these movies are for entertainment value only.
honour of the deities. Early in the year they are held in underground ceremonial chambers called kivas, but as spring arrives, the dances move out onto the plazas, where they last from morning until dusk. The fraternities in charge of the summer dances meet in mid-winter for ceremonial smoking and the planting of prayer plumes. In late November, w chief kachina, Soyalkatsina, begins the kachina
Three main ceremonies are performed by and for the gods – katsinam – during their stay in the villages: Soyalangwu, a winter solstice ceremony held in December; the already mentioned Powamuya in February, when the katsinam are asked to appear; and Niman, the home-going ceremony, after the summer solstice. Between Powamuya and Niman, the Hopi perform several more dances in season by walking along the trail into the village like a weary old man or someone who has had too much sleep, singing sacred songs in a low voice. He then opens the main kiva, signalling that it is time for the katsinam to come out. Their emergence re-enacts the arrival of the Hopi into the present, Fourth World.
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for the Powamuya ceremony, or Bean Dance. The Hopi do indeed believe that in the past, the deities literally walked amongst them, but that today, their presence resides in those selected to wear a mask; it is the mask that transforms the Hopi individual into a“ possessed” entity, very much like Jim Carrey in the movie“ The Mask” – though it is clear that, just like with the voodoo dolls, the evil and negative connotations that have been introduced in these movies are for entertainment value only.

honour of the deities. Early in the year they are held in underground ceremonial chambers called kivas, but as spring arrives, the dances move out onto the plazas, where they last from morning until dusk. The fraternities in charge of the summer dances meet in mid-winter for ceremonial smoking and the planting of prayer plumes. In late November, w chief kachina, Soyalkatsina, begins the kachina

… it is the mask that transforms the Hopi individual into a“ possessed” entity, very much like Jim Carrey in the movie“ The Mask”

Three main ceremonies are performed by and for the gods – katsinam – during their stay in the villages: Soyalangwu, a winter solstice ceremony held in December; the already mentioned Powamuya in February, when the katsinam are asked to appear; and Niman, the home-going ceremony, after the summer solstice. Between Powamuya and Niman, the Hopi perform several more dances in season by walking along the trail into the village like a weary old man or someone who has had too much sleep, singing sacred songs in a low voice. He then opens the main kiva, signalling that it is time for the katsinam to come out. Their emergence re-enacts the arrival of the Hopi into the present, Fourth World.

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