International Journal of Open Educational Resources Volume 2, Issue 1, Fall 2019/Winter 2020 | Page 97

Know Your Audience(s): Collaborating for Copyright Education open and accessible so that people who want to remix or adapt content have the freedom and flexibility to do so. Modeling Use of Copyright- Protected Content An OER on the topic of copyright not only serves as a resource for content creators and users, it also serves as a model for how copyright-protected materials can most flexibly be used and attributed as part of an OER. Since one of the project’s goals is to maximize the ability for others to re-use or adapt the material, the team agreed on a scheme of using openly licensed content that would not hinder content re-use. As part of the effort to effect maximum re-usability, the project team created guidelines for the selection and citation of openly-licensed works used in the modules. This follows the findings of Santos-Hermosa (2014), who noted that educators found OER more usable when no copyright clearances were required. To maximize the ability for downstream users to re-use and remix the material without having to acquire additional permissions from copyright holders, the team expressed a strong preference for images, videos, and other materials that were already in the public domain or were licensed under Creative Commons Attribution (CC-BY) terms. Citations for all sources were provided on slides at the end of each module, and in cases where slightly more restrictive forms of Creative Commons licences were used, the licence type was noted in context. For example, an image licensed under an Attribution-NonCommercial (CC-BY-NC) licence would have its matching Creative Commons licence logo placed directly adjacent. Even for public domain material, attribution and source information was provided to facilitate future use of the same resources by other people. A secondary objective of the project has been to combat copyright chill in Canada by advocating for users’ rights under exceptions such as fair dealing (similar to “fair use” in some other jurisdictions); however, the project did not want to rely heavily on fair dealing exceptions in its own use of copyright-protected material. Though the modules themselves advocate for the value of users’ rights in the Canadian Copyright Act, the project does not seek to force downstream users of the material to shoulder the risks or responsibilities associated with such choices. The decision to avoid reliance on fair dealing (or similar) exceptions has a significant consequence: it reduces the amount of copyright-protected material that can be reasonably incorporated into the modules for the sake of increasing engagement. As a result, the decision to forgo fair dealing is one point where concerns over re-usability have trumped engagement concerns in the OER triangle. Additionally, the team’s desire to maximize the quality and engagement potential of the modules has led to painstaking selection of visuallyand thematically-coherent imagery, diagrams, and icons for video presentations. This preference was not solely 89