International Journal of Open Educational Resources Volume 2, Issue 1, Fall 2019/Winter 2020 | Page 96

International Journal of Open Educational Resources tutions who wish to adapt the content for their own purposes, since adaptation would require advanced skills or technical knowledge that the new user may not have. The tension between precision and reusability is the least direct of the three relationships but manifests itself in two ways. It first appears when considering the breadth of the intended audience for the resource. When the intended audience is narrow and specific (for example, “library and information science students in Canada”), the content can be precise and targeted. This limits the potential for re-use in other contexts (for example, “users of public library makerspaces”) due to the level of additional customization required. The second manifestation of this tension is particularly thorny when considering “people who may want to reuse this resource” as an additional audience: generally focused (and therefore less precise) resources are more likely to be selected by downstream educators due to their broad applicability. The prevalence of trade-offs formed by triangle of precision, engagement, and reusability suggests it is a model that may be worth considering by others creating OER, and in particular those designing for multiple audiences. Figure 1: Precision, engagement and re-usability relationship. The project team’s experience with content creation and development has revealed four key areas of influence associated with balancing the three sides of the “OER triangle.” Almost every module developed for the project faced the following pressures: 1. Capturing and modeling best practices for copyright compliance within the modules; 2. Delivering engaging, accurate and occasionally complex material in a way that doesn’t violate recommendations for module length (as advised in the literature); 3. Ensuring that narratives and examples employed within the modules are reflective of the diversity of their desired audiences; and, 4. Relying as much as possible on tools and materials that are themselves 88