INTER-SECTION Volume I | Page 10

| Samuel Cárdenas Meijers | munity in several ways. This includes identity EXLOGLQJE\DIÀOLDWLRQDQGPHPEHUVKLSWKURXJK active involvement and volunteering, role development (obtaining a social role, which helps to foster self-esteem and empowerment), and social role valorisation (obtaining a social role that is respected by society) (Silverman 2010, 55-56). Furthermore, community programs aimed at adolescents have contributed to the selfdevelopment of the participants: their self-conÀGHQFHVWUHQJWKHQHGWKHLULQWHUHVWDQGDWWLWXGH toward science improved, as well as improvement of communication, career preparation and other life skills, tolerance of other people and cultures, and their cultivation of a sense of civic responsibility (Dierking 2013, 208). Another goal of the museum is to raise awareness within the community about the importance of their archaeological heritage. When a local community is aware of this importance, it can contribute to the preservation of the sites in an DFWLYHZD\7KHÀUVWVWHSLVWRNQRZEXWDOVR understand, the value of their heritage. When they do have the knowledge of the importance of their cultural heritage, they will have the power, WKURXJK DFWLYH SDUWLFLSDWLRQ WR LQÁXHQFH the management of their cultural heritage (NorGHQÁ\FKW&RQFKD  Community programs and the other huacas within Lima The heritage management of Huaca Pucllana is sometimes seen as a model that can be applied to other huacas (Gonzáles-Olaechea 2014). However, the conditions in other districts are different than that of this huaca, which is located in one of the wealthiest districts of Lima. Nevertheless, there are being made efforts at other huacas to engage the community with its archaeological heritage. Although only three percent of the huacas in Lima is in social use (Municipalidad Metropolitana de Lima 2014, 4), there has been an increase of community engagement in the management of huacas over the past two decades (Cárdenas Meijers 2015, 76). This engagement is achieved through programs and activities that are offered by three actors: 1) The Ministry of Culture, 2) The Metropolitan Municipality of Lima (MML), and 3) Civil initiatives. The emergence of civil initiatives is a remarkable trend, which demonstrates the concern of the society of Lima for the preservation of the huacas (pers. comm. with Contreras Velez). By organising programs and activities at the huacas, their different functions (cultural, educational, and entertaining) are exploited. As table 1 shows, the authorities (local and central) have been exploiting the three functions of a huaca,WPXVWEHQRWHGWKDWVRPHHYHQWVFDQIXOÀO several roles at the same time. An example is the event The huaca narrates to us: a cultural and entertaining event that is aimed at children between four and eight years old which consists of storytelling (based on pre-Columbian stories) in combination with songs and workshops (such as potterymaking), as well as guided tours, and which ends with ‘a hug for the huaca’ by which children form a circle around a huaca symbolizing their promise to SUHVHUYHLW ÀJ  *X]PiQet al. 2014, 7-9). Other )LJXUH&\FOLVW&OXE'HIHQGHURIWKH+XDFDV &tUFXOR&LFOLVWD3URWHFWRUGHODV+XDFDV p.10 | VOL I | INTER-SECTION | 2015