Inspire Magazine Inspire Magazine Issue 101 | Page 9

On the other side of the coin, there are also circumstances when photographers pay models for a photoshoot for a personal project such as a gallery show or a book. In this case, the photographer becomes the client. There are other reasons to pay for a shoot. When a photographer needs the shots for something speci ic and have certain quali ications, like exclusive content and the other person cannot use them, even for their portfolio and sometimes there are just people that a photographer wants to shoot that adds credibility to his/her own portfolio. Meanwhile, it is also conventional for an aspiring model who signs with an agency to pay for a test shoot. He/she will pay around $400-$1000 depending on the audience or market. The expenses are incurred by the model, and not the agency itself. Albeit there are instances when the agency may front the money and compensate it afterwards from the model's earnings but such is just considered as one of the exceptions to the general rule. In any other cases, a model may be able to ind an agency quali ied and approved photographer to test for free if he/she has a mien that the photographer needs. In the sphere of agency testing, quali ied test photographer does not necessarily have to pay models which means, such photographer seldom pays for the model’s fee as they have numerous of models to choose from. Some models and photographers consider applying the free tests setup. These tests refer to photoshoots for the purposes of self- promotion and portfolio use. A free test is basically taking advantage of a situation. Because a model’s portfolio needs to show a great deal of variety, showing all kinds of images and the potentials of the model, only 2–4 images from the same free photoshoot will be utilized to start a listing, hence, free tests may be reckoned. The idea behind testing is that, it is a trade between two professionals. The model gives his/her time in exchange for the photographer's time. Time-for-prints is an up to date alternative, but much more common today, where in addition to the efforts/skill of the photographer, the model gets some prints. It deems fair if both parties are amenable. From a personal perspective, both aspiring model and photographer must need to build PHOTO BY C1Photography up their portfolio irst, and the ideal way to start is by shooting trade. It’s a win- win situation. The idea is this, the model gets photos for his/her portfolio while the photographer gets photos for his/her book, and everybody wins. There will be no charge to the model as he/she is also being paired with the photographer who is also building a portfolio- it’s a mutually bene icial experience and quite a usual practice. Some of the great upsides in doing a trade shoot are: both parties get to shoot something they want to do; they can expand their abilities by trying something new; they get a chance to work with someone they might not normally work with; and both parties can get some new and updated shots for their respective portfolios and have fun. It is really a two-way street and the respect must come both ways. When either the model or photographer hits the plateau or ceiling then that will be the time when either of them has to apply one of the ways to break through the situation, and .................................................................................................................................................................................................... 7