INSPADES MAGAZINE UNO | Page 24

Your submissions are amazing, at first glance and you can feel this immediate intrigue, an instant infatuation. Can you tell us a bit about them? These pictures are my most recent ones. I remember that the idea for these smoky/ cloudy edits began to take shape whilst looking at pictures of colourful smoke bombs. I even edited some of them prior to drawing them up in smoke because I was running out of pictures to work with. Since I'm not a photographer and had limited images to work with, I had to start brushing to maintain my outlet. You say you are not a photographer, where do you obtain the images you work with? Selecting the pictures I'm going to work with can be very time-taking. An image can be perfect and gorgeous, yet if I don't feel a connection to it emotionally, the end result will be poor. I mainly use stock images. Not because there aren't plenty of brilliant photographers on Instagram, but because I'm too shy to ask their permission to use their shots. I see amazing pictures that are great as they are and I feel like it would be almost an insult to say "I want to ruin your awesome shot by covering half of your gorgeous model with my brushes”, but I’m sure there are photographers who would be willing, and I will have to seek them out eventually. 24 inspadesmag.com