fiddle flares amidst a poetic ballad with
passionate precision, the strings singing
with traditional folk music, seeded with
east coast inf luence. Benjamin Dakota
Rogers, relaxes the bow in his hand. His
voice — gritty and evoking — fills the space,
pulling at parts of you from the inside, parts
you didn’t even know you had.
A multi-instrumentalist, singer-songwriter
and composer, Rogers — with his captivating
storytelling — marries poetic lyrics with lively
fiddle and brisk guitar compositions, creating
songs that are, at times, both heart-wrenching
and explosive.
“I feel like being on stage and getting to
perform for an audience willing to listen and
participate is always a gift, but I also love being
in the studio and getting to build music and
just experiment,” says Rogers.
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This “alternative folk powerhouse” is
debuting his third album, Whisky & Pine, a
collection of eleven original songs brimming
with raw emotion and sultry harmonies. Yet
while influences of Leonard Cohen, Gregory
Allen Isakov and Passenger ring throughout
this album, Roger’s unique voice, thought-
provoking lyrics, energetic performances and
dynamic fiddle techniques leave this up-and-
coming musician in a class of his own.
“My creative process has a lot to do with
improvisation,” divulges Rogers, “I don’t write
chords or lyrics one before the other. I sit down
with a guitar and start singing and playing.
Sometimes what comes out is exactly what goes
on an album and sometimes I tweak it for a
year, but it usually all starts out with some sort
of emotion and just rolling with it.”
At the age of seven, Rogers inherited his