INSPADES MAGAZINE SETTE | Page 38

that photography and painting could be blended and that realization has determined my style.” Since converting to digital photography and post-production edits, Burra has embraced the benefits that programs like Photoshop have to offer, “It’s a wonderful opportunity to find a compromise between painting and photography in my portraits.” A lthough Burra works heavily with Photoshop today, her beginnings in f ilm photography prevent her from relying solely on digital editing software to perfect a piece. Photoshop can easily catalyze a photographer’s approach if they aren’t careful. An agent of change in a photographer’s method, Photoshop can either launch the photographer’s work into a new realm of possibility, as it did for Burra, or it can make the photographer negligent in their shooting technique. Summoning her artistic roots in painting and drawing, the digital age allowed Burra to revolutionize her creative approach and exceeded to a new level of expression. Translating reality into dreams and fantasies into tangible artwork, she has embraced digital photography and post- production as her default artistic outlet. “Painting is visually dynamic, but it doesn’t allow you to capture the moment. Photography translates my more wild, passionate and restless visions into a single image,” she says. 38 inspadesmag.com