A perfect example of this can be seen in
“Duo in Metal.” Although the models are the
main focal point in the photograph, shadows
and darkness steal the show. The machine
gears are perfectly placed on the body,
harmonizing industry and humanity. In this
way, Sturman combines human with machine
as if they had never existed apart.
Even when industrial images are not
incorporated, the end result still evokes the
same dark, emotional quality. “Blown Away
in Shadows” blends a stormy day on the
Atlantic coast with two intersecting models.
The human quality is drawn out by the
shadows, leaving an image that not only
creates the illusion of ashes in the wind, but
also a feeling of despair.
Using flashes of colour and light to draw the
eye from the darkness, and monochromatic
shades to enhance texture and shape,
Sturman achieves an ethereal effect—
something man-made yet amazingly alive;
something involuntary and unconscious, yet
full of static movement.
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