INSPADES MAGAZINE DUE | Page 233

As the duo had performed separately but never together—let alone busked— the TTC license enabled them to monetize their practice time, as they spent countless hours playing in the high-traffic subway stations. “I get paid to practise, and that’s the only way to get good,” said Captain Cowboy, “I like busking—it’s the most blue collar way to make money as a musician. You just go and drop your case, like punching your clock in at work.” With vaudevillian costumes and theatrics, Captain Cowboy and the Money Maker soon became a favourite for Toronto commuters. “Part of the reason why we’re so successful is that we don’t take ourselves too seriously,” Captain Cowboy mused. With Money Maker holstering a homemade banjo and donning bottle cap tipped gloves to play her washboard--laden with bells and whistles, and Captain Cowboy armed with his metallic guitar and tambourine tap shoes, the duo brings a captivating performance and unique sound to the grey washed streets and stations of the city. “There’s always been a nod and a wink to everything that we’re doing,” shared Captain Cowboy as he described their zany stage presence, “We’re in ‘show business’,” he added with facetious hand gestures, “There’s always ‘jazz hands’ to everything that we’re doing.” Besides their musical versatility and skill, Captain Cowboy and the Money Maker transcend the white noise of the city with their charismatic performance. “I make sure that our costuming and presentation are top notch every time,” said Money Maker, who recognized whimsical wardrobes assist in drawing an audience. When asked how integrated the characters of “Captain Cowboy” and “Money Maker” are with their off-stage identities, Money Maker described, “Captain Cowboy and Money Maker are very much us, as real people in our true from—evolved from people in square jobs, to glitter covered weirdos on the sidewalk.” “We take being silly very seriously,” added Captain Cowboy, who chose his name simply for its “stupidity.” “I just thought of two male power-archetypes, captain and cowboy, and mixed those.” While Captain Cowboy’s character is a cheeky nod to projections of exaggerated masculinity, Money Maker’s character received her moniker by accident. While developing their act, the pair thought, “Ukulele songs are cute, but the washboard will be our money maker!” Writing “money maker” on her first washboard with a huge dollar sign, encouraging people to drop change for their performance, Money Maker made a name for herself among the busking community of the subway lines. As to further fuel their vaudevillian presentation, their routine also includes sporadic bits, or “wrinkles” as Captain Cowboy refers to them, that interrupt the songs and add texture. “We’re hesitant to record anything, because our sound is in the live act, and it’s entirely based on having an audience in front of us that we can work off of,” explained Money Maker. 233 inspadesmag.com