INSPADES MAGAZINE CINQUE | Page 84

84 inspadesmag.com For someone as harmonious with the musical lifestyle as Wetherell, it comes as no surprise that he came from a household where music struck a prominent chord. Inspired by his father, a drummer who played the length of venues along Toronto’s popular Yonge Street, and a brother who introduced him to Led Zeppelin and The Who, Wetherell never lacked exposure to the innovative sounds that revolutionized the movement of progressive rock. In addition, Wetherell was greatly influenced by Bob Marley. He remembers walking by his older sister’s bedroom and hearing the saint of reggae drifting from her speakers. Having grown up in a rock and roll household, Wetherell was confused when he first heard the music; “I couldn’t understand what was coming out of the boombox until I heard ‘Red emption Song’. The song used to stop me dead in my tracks in the hallway. I would stand outside the almost-closed bedroom door and just listen.” While listening to music through his childhood was a given, it wasn’t until his teenage years that Wetherell followed in his father’s footsteps. “My musical path first began when, at the tender age of fifteen, metal claimed my soul,” he recounts, “I rocked out on the drums for a few years and played and toured in a signed act before being bitten by the writing bug in my early twenties. I found my voice as a singer/songwriter and have been riding that vibe ever since!” Recently with the release of his new album, The Jackknife Letters, Wetherell has been focusing on his LSD—“Lead Singer’s Disease”—