INSPADES MAGAZINE CINQUE | Page 135

In her featured series, Elven Princess, Parmak-Fischer summons Tolkien-esque charm to achieve a luminescent visual narrative within the woods of Krefeld, Germany. “When I was walking in that park in Krefeld, I thought it was a place where elves should walk,” she remembers. This thought prompted the twelve-week journey that brought Elven Princess to completion, a process that included assembling a team, designing the costumes and finding the right model. “I started looking for someone to make the costume I wanted. In the meantime, when the costume was in the making, I searched for a model who would perfectly fit into this project,” Parmak-Fischer shares of the project. “I like to work with people I have worked with before, so I mostly work with two makeup artists I know well, and it is the same with my assistants.” To achieve the perfect hue of heavenly light in her outdoor photography, Parmak-Fischer looks to nature. “99 percent of my pictures are taken only with natural light, and one percent with a little help from a softbox, ring light or beauty dish,” Parmak-Fischer shares, adding, “My dad always said, ‘Flash light—who needs flash light?’ So I never used it until now.” After spending five hours in post-production with Lightroom and Photoshop, finessing the series’ eleven pictures, Elven Princess was finally complete. Glowing with soft light and subtle polish, each image pangs the viewer with a sense of awe, the angelic air of each scene connoting hidden beauties in the world around us, accessed only by imagination.