E ndless F aces
J
essica Wikström
had been a photographer for almost
eight years when she finally decided to
sell all her gear, cancel her studio rental
and give up on photography entirely.
Having tried almost every genre
of the craft from weddings to product
photography and fashion, she never
really felt at home in any niche. One
day, a former colleague of hers called
her and asked if she could shoot some
portraits of him and his equally-
bearded friends. She took it on as what
she considered to be her last job before
quitting—as long as she was able to do
it her own way.
One of Wikström’s biggest
challenges in photography had always
been her dark style. Unable to feel
comfortable with it and it’s permeability
through her work, it had become a
major roadblock to her shooting style.
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