INSPADES MAGAZINE 010 | Page 78

Then one day, struck by a severe lack of inspiration for her still life photos, Orwald had a tipping point in her life. Photography had become as necessary for her as breathing, and while she never thought of quitting photography, she couldn’t decide on the direction in which she could move on. A friend suggested portrait photography and, while outside her comfort zone, she took the advice and shot with some friends, and with that, her choice was made. “I’ve been taking portraits for a little more than three years now, and it’s a fascinating experience for me. I can’t imagine my life without photography, it’s the way to explore my own personality,” says Orwald. “It is said that a portrait is the mirror of the soul and I completely agree with that. I can share a little piece of my soul with the world and I think it’s one of the most important things in creativity.” Overcoming her introverted nature was still somewhat an obstacle, not knowing how to relax a model and make them act naturally in front of her camera, she was always having to experiment, working on her shyness. Having always been a good listener, this attribute helped her to find a common language with her models. People often say that she easily wins them over, but she insists that she only asks them unobtrusive questions that keep the conve rsation going. “I myself don’t feel comfortable when people are crawling into my soul without my permission with their overly personal questions. I didn’t do something special, I was just trying to be a good listener, attentive and responsive,” says Orwald. “Also people say I’m a very smiley person. Maybe that’s my secret weapon.” Irina Bunyatyan - @irinaorwald