INSIGHT Magazine July 2015 | Page 10

Music INSIGHT by Benjamin Nunnally M etal is a subjective genre, just like any other, though fans will try to tell a different story. There’s death metal, which is just what it says on the box. Doom metal is a thick, sludgy brand of downtempo heavy music. Power metal is the opposite, an ultra-fast, “happy” variety of metal. The more obsessive fans like to filter bands into easy categories like these, but sometimes bands just won’t fit into any specific box, no matter how many you try. Anniston’s VEDA is one such case. “I like to use the term progressive metalcore,” said Devin Williams, VEDA’s singer. “The new term I guess is ‘djent.’” Other band members, like guitarist Tony Brauer and drummer Brad McCollum, dismiss the label almost immediately, leaving it up to listeners to decide what they want to call the band when they hear the group’s upcoming six-song EP, “INNOVADE,” set to release July 28. It will be the band’s first official album, featuring a solidified lineup including guitarist Rob Green and new bass- ist Cheyenne Graves, with Williams taking over vocal duties for his brother, and also the band’s first with two guitars in the mix instead of three. The resulting album is tight, clean and full of surprises. The EP fires off with "The Elizabethan Era," an anthemic study in relationships delivered by a disillusioned voice, with a screamalong choruses riding over complex riffing and damningly fierce drumming. "Quest for the Number One Headband" begins as the kind of mosh-pit beater that metal fans clamber to, before breaking into intricate guitar and vocal harmonies, then returning to blast beats beneath relatively peaceful vocals that overlay the chaos. "Headband" serves as a handy field guide for interpreting the overall style of the album, a thing made of contrasts, surprise changes in tempo, aggression and style. The remaining songs continue the theme of constant change: "Thanatos" begins with a prog-rock riff before turning into a violent churn; "The North Remembers" takes staccato stabs at metalcore rhythms before July 2015 INSIGHT