INhonolulu Magazine Issue #16 - April 2014 | Page 4

ART + FASHION Report / Showdown in Chinatown Swede it up! Ed Hickman (DJ Fu Man Chu) Photos by Kurt Loney F ilmmaking is hard. I’m going to repeat that because what I’m afraid you’ll think I mean is that filmmaking is hard like going to the gym or finishing school is hard. No, believe me when I say this: Filmmaking is very, very hard. Even under the best of circumstances, a film is statistically more likely to turn out to be unwatchable rubbish than anything else. Put it this way, can you think of any other artistic medium in which you can spend hundreds of millions of dollars, have a multitude of skilled professionals dedPage 4 icate thousands upon thousands of man hours and still produce something that people might look at once, ridicule for a week and then forget about entirely? As Sam Fuller once said, “Film is a battleground,” and it is easy to end up killed in action. Having said all that, it takes a special kind of masochist, then, to sign up for a 48-hour film challenge. Speaking from personal experience, even under ideal conditions, when I’ve had time to plan every shot and painstakingly massage my way to a final cut in the editing room, I’m still far more likely to make something I hate. I have to take my hat off to anyone that signs up for the kind of self-flagellation that goes hand in hand with condensing the entire filmmaking process into the same time span it takes most people to decide if they actually want to see a film or not. Thankfully, the film industry is in no short supply of artists that like to punish themselves for our viewing enjoyment. For eight years now, Showdown in Chinatown (or is it Kaka‘ako, now?) has provided them a perfect platform for ritual self-sacrifice and—quite surprisingly—it has managed to stay entertaining the whole time. With equipment provided by Hawaii Camera Rental (a business near and dear to my own heart) and with a new venue in Kaka‘ako, the organizers at Showdown have managed to keep the event fresh and inviting. True, the new space lacks the nightlife vibe of past events, but that is a problem easily remedied (and something that some people may prefer left unremedied, as the location change puts the focus back onto the films themselves). While few things will make you more inclined to enjoy a short film than a tall, stiff drink, even sober the most recent iteration of Showdown was worthy of attention. Sure, some of the films are tedious and difficult to watch—but that’s part of the experience. As I’ve said, filmmaking is hard even on those that ultimately watch the films. Yet, even at its worst, it can provide us with something to talk about and teach us about the filmmaking process. Even better, when something does go right, it makes it seem all the more miraculous. For example, the theme for this year’s first showdown was the “swede”—that is the act of recreat- ing your favorite film utilizing the kind of budget you’d normally associate with grocery shopping. As one would expect, the results are usually hilariously bad. That is, after all, kind of the whole point. When taken too seriously, movies within this theme fall flat on their faces; but when done with a light heart and tongue firmly in cheek, the results can sum up everything we love most about filmmaking. While I was especially enamored with a Lord of the Rings remake, it was a joyously embarrassing Titanic remake that ended up getting the judges’ nod. Of course, winning a contest such as this is a bit of an ignominious prize; a continuation of the self-flagellation I mentioned earlier. For the voyeuristic fetishist such as myself, it isn’t so much about joining in and trying to win as it is about getting to see someone else revel in winning. So while I can’t recommend signing up to torture yourself (seriously, 48 hours is an unreasonably short amount of time to make a film), I can recommend, at the very least, showing up to meet the kind of people that are into that sort of thing. You may not enjoy every film you see, but that’s kind of the point. Besides when is that sort of thi