IN Murrysville Spring 2014 | Page 12

HOME IMPROVEMENTS Paint Colors to Brighten Every Room GET THE LOOK For wall-to-wall color: Monterey White by Benjamin Moore Paints (HC-27); benjaminmoore.com Along the handrail and knoll post color: Midsummer’s Night by Benjamin Moore Paints (2134-20); benjaminmoore.com Transformed trim color: Creamy White by PPG Paints (512-2); ppgpittsburghpaints.com J BEFORE amie and Jim Graham had been living in their Wexford residence for two decades before they realized that it’s actually their dream home. The couple bought the brick-and-cedar Colonial in the Ramblewood neighborhood back in 1993. When the builders contracted it in 1986, the house served as a showpiece. “The interior is covered in wood—on the foyer’s vaulted ceiling, on much of the walls, and there’s crown molding everywhere,” Jamie explains. Yet the elegant detailing and natural beauty of the wood were obscured by a high-gloss, green-blue stain. “Back in the ‘80s, I’m sure that was impressive, but it really dated the entire look of the home,” Jamie comments. In 2012, the Grahams had painters come in to assess the situation. “One of them said, ‘Lady, it would be cheaper for you to move.’ So we put it to rest for a while.” Then the Grahams called in the painters. “They went wild with the possibilities of how to change the home’s look by switching out paint colors, and they did a fantastic job.” “It was nothing short of a transformation,” Jim says about the project, and jokingly adds that the green-blue stain “was seriously the ugliest trim color known to mankind.” “It’s true,” Jamie responds. “We lived with it for 20 years then finally decided to do something about it. In fact, we painted practically every inch of the house—from the entry, hallway, kitchen, family and living rooms downstairs, to the four bedrooms upstairs and bathrooms.” The Grahams traveled to their second home in South Carolina for three months while the work was being done, giving the painters the leeway to work uninterrupted. The crew unhinged every door, cabinet and window jam. The elaborate crown molding in the entryway received special treatment. The painters lightly sanded off the glossy stain, caulked and mitered all joints for a seamless finish, then primed 10 724.942.0940 TO ADVERTISE | Murrysville and painted everything. The first coat had a satin finish, and for the final one they used high-gloss enamel. High gloss works well when you have the molding detail to pull it off—which the Grahams have in their coffered ceiling. The Grahams favor monochromatic tones, so the painters gathered various cream-hued paints to pull together the rest of the house. The kitchen cabinets, as well as the living and dining rooms, feature a warm cream, which is echoed up the staircase. The painters did a feature on the stairway they discovered down South. They accented just the handrails and knoll posts with a rich chocolate brown by Sherwin Williams called Umber. It’s dedicated to the staircase only, so it really stands out. It’s gorgeous, especially with the addition of Oriental runners in complementary colors. The walls in the foyer and hallway are a lovely, soft wash of muted colors with intermittent cream, and all moldings upstairs repeat the monochromatic tone. They like the continuity of maintaining a trim shade so that all the rooms flow into each other. Upstairs, the bedrooms were freshened from their individual colors to a uniform shade of Pewter Grey. Warm, classic grey is the new neutral, and it’s very easy to decorate around. One upstairs bathroom adds a pop of color with a cheerful French yellow in a flat finish, which gives it dimension and character. The end result? “Changing just the paint colors brightened the entire house,” Jamie concludes. “It’s like we added 25 skylights. The whole place looks amazing, and now when we see that 40-feet-high paneled ceiling in the foyer, we can really appreciate it. It really is like we’ve been living in our d