IN Keystone Oaks Winter 2017 | Page 17

A fter a 26-year hiatus from song writing, Mike McCauley never thought he would create his own music label. McCauley fell in love with roots music growing up in West Virginia. He remembers listening to adults playing the banjo and singing. McCauley learned to play the banjo at age 10 and picked up the guitar as a teenager. “Music is in my blood,” he explains. “It was always something I enjoyed listening to and doing. I think it was embedded in my nervous system. You can never get rid of it, no matter how far you run from it. It’s always there.” McCauley continued playing guitar and writing songs while he went to college and later completed a Ph.D. in philosophy. After receiving his doctorate, he went to Nashville where he achieved some success as a songwriter. However, in 1983, he decided to pursue a more stable career. “I just got tired of the ups and downs of the music business,” McCauley explains. He had become interested in computers and went back to school to study information technology. McCauley taught computer science at La Roche College and gave up on music. “I think I just rejected the whole idea,” he says. “I got so busy that I more or less focused on a normal career.” Twenty-six years passed before McCauley played the guitar again. He was at a party and saw a guitar sitting against the wall. McCauley picked it up and started playing. “It was almost like riding a bicycle,” he recalls. “I remembered quite a bit. The feeling was so natural. It struck a nerve. It took me back to my youth. The first thing I knew, the evening was gone. I was hooked again.” McCauley started writing songs again and began to meet a lot of other musicians. He decided to create his own music label and publishing company because there were so many talented musicians who were overlooked because they didn’t conform to commercial music standards. “These people should have some outlet, some way to get their work exposed to the public,” McCauley says. He launched the Howlin’ Kitty label at an event at the Collier Township Municipal Building in August. Technology has made it easier to record and publish music. McCauley has already released several albums, including an EP of his own. He had to re-learn how to work in the studio and is shocked he finished it after abandoning music for so many years. “Ten years ago, I would have said that’s impossible,” McCauley says. “I guess you have to be careful what you say.” He hopes to release several more albums before the end of the year. McCauley wants to build a “critical mass” of performers who can collaborate. “There is so much wonderful potential out there that remains submerged and isolated,” he notes. McCauley also wants to start selling cigar box guitars on his website and might even open his own venue someday. He named his label Howlin’ Kitty as a memorial to his cat Woodstock. “He used to run through the house howling,” McCauley remembers. “It was cute in a way.” He invites aspiring musicians to visit the website and submit a song for consideration. McCauley is interested in working with musicians who play blues, folk, old country, rockabilly and bluegrass. He compares the sound of Howlin’ Kitty to that of the iconic Sun Records. Music is in my blood. It was always something I enjoyed listening to and doing. I think it was embedded in my nervous system. You can never get rid of it, no matter how far you run from it. It’s always there. “Those genres are the roots of Americana,” he explains. “They are the roots of everything we understand as American music today.” McCauley detests the emphasis on special effects and dramatic spectacles in the popular music industry. “They almost cloud the music,” he laments. “I would say the music has lost its purity.” His goal is to create a community, not make a profit. “The music is our primary aim,” McCauley says. McCauley advises aspiring musicians to learn their craft thoroughly by seeking out informal back-porch jam sessions. After they have mastered the techniques, artists need to get some exposure. He also advises young musicians to be spontaneous. “New ideas can occur on the spur of the moment,” McCauley notes. “You have to be open to those things. Anything is possible.” For more information, visit howlinkittymusic.com. ■ Keystone Oaks | Winter 2017 | icmags.com 15