IN Fox Chapel Area Winter 2013 | Page 58

A Little Bit of Bavaria The famous Neuschwanstein Castle, which was later used as a basis for Disney’s Cinderella Castle, served as inspiration for Bayernhof. BY PAMELA PALONGUE W hat do a mad king, a temperamental fortune teller and a Victrola have in common? They all combine in a whimsical bit of Bavaria in O’Hara Township, known as the Bayernhof Museum. To say that the Bayernhof is a museum of musical instruments would be accurate, but far too simplistic. The brainchild of Charles B. Brown, III, is fascinating on many different levels. Brown, who was enthralled with the life of “Mad” King Ludwig II of Bavaria, apparently mirrored his creative obsession to a degree. Ludwig, who was driven by a quest for fantasy, built Linderhof Palace and the famous Neuschwanstein Castle, which was later used as a basis for Disney’s Cinderella Castle. These architectural masterpieces served as inspiration for Bayernhof. Construction of the 19,000-square-foot mansion began in 1976 and was finally completed in 1982 and served as Brown’s home. The beamed ceilings and rich, carved wood interiors appear both European and ancient, despite its rather recent construction. Brown launched Gas-Lite Manufacturing in 1965, a company which afforded him the 56 724.942.0940 TO ADVERTISE | Fox Chapel Area capital for financing his eccentric ideas to create a wonderland of whimsy. There are three secret passageways within the house and one of the most interesting is referred to as “the cave.” A wandering labyrinth of hallways flanked by wood carvings which resemble a forest, the cave is punctuated by an occasional water feature, where it finally opens up into a large pool with a 10’ waterfall! The top floor of the mansion has an observatory, equipped with a high-powered telescope and a rotating-dome roof. The two main floors are loaded with interesting objects and a plethora of music-making machines. Keeping them all running and up to par is Tony Marsico, who has 40 years’ experience working on mechanical instruments and 10 years at the museum. “We have around 50 machines, including music boxes, band organs from merry-gorounds, Victrolas, player banjos, player violins and reproducing pianos,” says Marsico. Similar to a player-piano, he explains that the reproducing pianos can duplicate the playing style of composers long dead, such as Gershwin and Rachmaninoff. The piano “remembers” the timing and even