IMPOSED MAGAZINE VOL. 3 | Page 28

I found it very difficult to approach writing this story for someone so ex- ceedingly self-aware of his position in our cur- rent culture that deliv- ers eloquent lectures, holds panel discussions that clearly outline his approach to design, and is able to describe his work in the context of preexisting and current culture. In plain words, Virgil is hyper-conscious of all that he is doing and why it’s effective- ly met with high praise. With that said, let me share with you my ex- perience with Virgil. For weeks I hopped from cafe to cafe, hoping the change of scenery would inspire me, but I was stuck. Growing up an ad- mitted “hypebeast,” at- tempting to comment upon Virgil’s achieve- ments in the past year – the countless ways he has impacted this culture I’ve grown up on – seemed to be a task for which I felt slightly under-qual- ified. But on this fated Sunday morning, days before deadline, it came rushing to me. I tum- bled out of the shower, grabbed my iPhone off the edge of sink, and frantically mashed away on the Notes app – all the while soaking wet, drip- ping still-soapy water on the bathroom tiles. Virgil is not this design god that the world thinks he is – at least, he doesn’t think he is. He thinks he’s just a messenger in the grand scheme of things, an assistant participat- ing within a larger move- ment. Maybe it’s because of his 3% rule: never taking a design more than 3% from its original form. 26 He doesn’t have to – he’s fine with leaving a design the way it is and has a healthy respect for the beauty of something in its pure form. Much in the same vein, we don’t need to fit his story into some grand-notion journalistic endeavor – his story tells itself, and we’re simply taking our due turn in being the assistant. At his Harvard lecture, he explained his “3% ap- proach,” alongside his method of completing just 70% of his projects before moving to the next project, allowing him to work on a million projects at once. Throughout the day, I watch Virgil come in and out of engagement with photographers, styl- ists, PR people, galler- ist, friends, myself, so on and so forth. Each time I asked Virgil a question, he’d listen, acknowledge and respond to it, while concurrent carrying on his separate conversation on WhatsApp. While this may seem to be counter- intuitive to many, and bor- derline offensive to some, nothing can be said of Vir- gil’s actions because he always delivers, in every single situation – wheth- er it be his collaborations with Jimmy Choo or his collection in conjunction with IKEA – something truly unique and yet uni- versally praised almost always comes from it.