IMBO Magazine Issue 32 | Page 81

S o then… Colours titillate you. Rainbows mesmerize you and the vibrancy of our visual existence brings you nothing but joy. You love how green the grass is, how comforting the azure heavens can be. You marvel at how grey skies or bright sunshine affects people’s mood. There’s inspiration in everything and an added appreciation for the world around you. If this is the case, perhaps being a Film Colourist is a career worth considering. Something of an unsung hero in the industry, film colourists have so far garnered little to no reputation. And yet, if you ask any director or cinematrographer, they’ll admit that this career, the hero of hue, the king of contrast, is vital when adding to the creative scope of any project. All by enhancing the visual detail of a story with a dab of colour here, adjusting the tint there. A little bit of contrast, less gamma, more brightness. Basically, you’ll have heaps of things to fiddle with. A good start for getting into this career is to have a deep appreciation for the colours of life. Tom Reiser, Film Colourist at EFILM in Hollywood remarks how people who want to do this sort of job should, “…look and observe everything. Go out in nature, in crowds, just look at everything in different lights.” Sounds awesome, right? Then again, most film colourists will tell you the hours are exhausting both physically and mentally. The upswing being how the outcome can be awe-inspiring and, in the end, quite rewarding. It’s a chance to help tell a story by giving it more character and, in most cases, a unique ‘feel’ simply by fine-tuning certain optical aspects. If you must know, the first colour films were released in 1935. Originally, these films were made with three-strip colour palettes, used to give us movies such as The Wizard of Oz (1939) and Gone with the Wind (1939). The use of colour grading helped alter and enhance the narratives of these films, implementing a look and feel reflecting the tone of the respective flicks. The impact this career has is clear to see in the washed-o WBw&VV