IMBO Magazine Issue 32 | Page 130

F E AT U R E T here’s something alluring about the humble personality of newly discovered talent. Maybe it’s the pure element of understanding grace, the surprise of the relentless praise and discovery of just how many people resonate with their art. Whatever the reasons, it’s impossible not to pay attention to Beatenberg, They instantly won the affection of the masses when the video of the unlikely collaboration with DJ Clock hit music channels in South Africa. The hit Song (Pluto) made some serious waves, giving them a total of 4 nominations at the most recent Channel O music awards. Apart from the catchy tune, I can’t help but admit that my love affair with the Bergs was solidified when I saw them ‘jive’. Beginnings Matthew Field, Ross Dorkin and Robin Brink fuse the suburban living experience with African inspired melodies. Although they’re from Cape Town, the dynamic trio have received major acclaim in Joburg. But still insist the Mother City is where their heart is. Contrary to popular belief, Beatenburg didn’t attain success overnight. And, in fact, music was far from an impulsive choice. Destiny played its hand when while pursuing their music degrees at UCT, their paths crossed and an instantaneous musical ‘bromance’ was formed. Since then, they’ve played together for six years quietly brewing their majestic presence in the Western Cape entertainment scene. Another quirky fact about this trio is they each played in High school bands; so it’s safe to say the path way to success was paved early on. A box we disagree with They relentlessly describe their sound as pop, which is surprising coming from a bunch of ‘hippy’ folk who infuse an undeniable African flavour into their sound. One thing is for certain; these guys belong to no fixed box. Everything we have heard from Rafael, Chelsea Blakemore, Southern Suburbs and Pluto is more reminiscent of the new age African stirfry (mix masala). And it works – (i.e. see Johnny Clegg). IMBO/ ISSUE 32/ '14 130