IMAGINE Magazine SprIng 2017 • Vol. 3, no. 1 ImagineMagazine-Spring 2017 | Page 27

Photo: Sandra Coudert-Graham Art allows a person the opportunity to not only reflect upon experiences that she can relate to, but more importantly it has the ability to open a door to an infinite number of experiences that she may never have. introduced herself at the start of the program as “Chey.” Chey grabbed the microphone following the final per- formance and expressed how she had previously been too shy to speak in group settings, but CommunicateME had taught her to use her voice. My ambition in life was confirmed in that moment: to create spaces for people to discover the power and significance of their voices, and to make more room in the world for stories untold, stories that evoke compassion and love from audiences of all backgrounds. I’m now the Managing Director of an Off-Broadway downtown theater in New York City. The company has been around for over 20 years, and has always been committed to producing risky, provocative new plays written and directed by emerging artists who are, for the most part, in an early stage of their careers. I joined the company nearly a year ago, at the same time as Artistic Director, Daniella Topol and Associate Producer, Victor Cervantes. As the theater’s new team, we are es- pecially committed to producing work that not only celebrates diversity, but insists upon it. Our first main stage production this season was Orange Ju- lius, a play by Basil Kreimendahl about a Vietnam war veteran, Julius, and his sickness resulting from exposure to Agent Orange. The protagonist is Nut, Julius’ trans-masculine son, and the play centers around familial relation- ships, PTSD, and a trans-masculine man’s experience with self-discovery, transitioning, and his relationship to his dying father. This play, along with the others we will continue to produce, to me exemplifies theater’s ability to act as an educational tool that can promote peace and understanding in a deeply impactful way. Because, in addition to the ability to teach self-expression, what moves me is art’s ability to teach humans about the worlds that ex- ist outside of their own. Art allows a person the opportunity to not only reflect upon experiences that she can relate to, but more importantly it has the ability to open a door to an infinite number of experiences that she may never have. And this is the route to developing empathy, which is the beating heart that keeps peace alive. As a theater-maker, I am committed to working for the accessibility to art that promotes peace and creates change. Annie Middleton is the Managing Director of Rattlestick Playwrights Theater in the West Village in New York City. She recently received an MFA in Theater Management from Yale School of Drama. At YSD, she served as Managing Director of Yale Cabaret and Company Manager for Yale Repertory Theatre. Prior to grad school, Annie lived in Los Angeles where she spent a year at WME, followed by two years at Carousel Produc- tions, a film/TV production company led by actor, producer and writer Steve Carell. Annie received a B.S. in Theater from North- western University. IMAGINE l Spring 2017 27