Illinois Entertainer September 2014 | Página 42

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NEW Hours: Tues Saturday: - Sat: • 11-5, Closed SunExpires HOURS: 9/30/14 6/30/11 e-mail: romanlewis@aol.com Gift Certificates available 42 illinoisentertainer.com september 2014 t’s a busy time to be Billy Corgan. The alt-rock veteran is tireless, gearing up for a seemingly endless amount of projects, releases, and initiatives. Corgan recently released a limited run of an experimental record titled AEGEA, which he recorded back in 2007. He also received the Vanguard Award at the initial Alternative Press Music Awards this past July in Cleveland, presented to him by fellow Chicago entertainer CM Punk. On the Smashing Pumpkins front, Corgan, along with Pumpkins 2.0 mainstay Jeff Schroeder and Mötley Crüe drummer Tommy Lee, just finished work on Monuments To An Elegy, which will proceed Day For Night as the first of two forthcoming Pumpkins full lengths. (During our chat, Corgan mentions aiming for a December 9th release for Monuments.) And then there’s the forthcoming reissue of Pumpkins turning point Adore, which will be followed by a Machina reissue down the line that collects both Machina/The Machines Of God and its Internet-only counterpart Machina II/The Friends & Enemies Of Modern Music into one comprehensive package. There’s also a slew of additional releases on the docket, including Corgan’s experimental Siddhartha and Sundays With Rumi projects, as well as early plans for a wealth of bedroom demos from the artist's initial forays into music in the ‘80s. That's to say nothing of his involvement with Madame ZuZu's, the Highland Park tea shop Corgan opened in late summer 2012. Or Resistance Pro, the wrestling organization Corgan oversees, and a reality show for which is in development at AMC. And at the end of the week, the artist will take the stage at Ravinia for a career first, where he'll be performing selections from throughout his entire body of work. That means Pumpkins songs alongside ZWAN material and cuts from Corgan's various solo endeavors. It's a safe bet that's not even all of what's on deck, either. "When I was a kid, I would make a lot of demos and stuff, so I kind of got in this groove of making a lot of music,” Corgan recalls when we meet at a Starbucks in Highland Park, IL. The interview was set to take place at his tea shop nearby, but a scheduling mix-up – no doubt a byproduct of the singer's hectic schedule – resulted in a coffee shop compromise instead. "And I always thought, that's what you did. Painters paint and sketch, and then when you get into the business part of the music, then it's like, 'Wait wait, slow down, only this song mat- ters, these other 51 don't matter.' And then of course in the middle of the Pumpkins' sort of first era, we had a lot of success with B-sides and stuff like that. Then they loved - then they (said), 'Oh, more, more, more!' So then I got sort of cranked back up into working. And then, when things didn't go as well, then it was almost like, people were like, 'Wait, you're putting out too much.' So I started shelving albums."So it's more been my relationship with how the world takes in information," Corgan continues of his frenetic work ethic. "And I'm not saying I had some future vision plan, in this regard. But, what I mean is that, the way the world works with social media actually is more commensurate to the way I work as an artist, which is in pieces and obsessive moments and I kind of discard things, and maybe somebody's interested in the discarded thing 30 years later, where in the time they'd be like, 'Wait, I don't want to hear your dreck.' And now they want to hear the "Mellon Collie" dreck or something.” If you're reading about the Smashing Pumpkins in IE, you almost certainly know the story by now. Or at least the broad strokes. Launched onstage at the Metro as a four piece – including guitarist James Iha, bassist D'arcy Wretzky, and drummer Jimmy Chamberlin on October 5th, 1988. Twelve years later, three-fourths of that collective - with Melissa Auf der Maur filling in for the recently vacated Wretzky-would close things out in a seemingly endless performance on that very same stage. After