Illinois Entertainer October 2014 | Seite 38

By Kelley Simms CAMERA AND STAGE CH: I had done some commercials and some TV shows and my agent sent me on a casting call for Playboy TV for an audition for a news anchor, to report the news. Out of something crazy like 500 girls, I got to be their entertainment anchor. So I did that for about a hundred episodes. Mosh: You're also a licensed funeral director and embalmer. CH: I started that after I worked for Playboy. I went to school for an obsession I've had since I was a kid, which is death. I studied to be a mortician and it changed my life by teaching me that you only have one life to live and you better live it while you're here. The Butcher Babies L os Angeles female-powered metal outfit, Butcher Babies, featuring vocalist Heidi Shepherd (above, left) and Carla Harvey (above, right), named their band after a song recorded by '80s punk band The Plasmatics. Harvey, a former Playboy Channel reporter, is also an actress, an artist, writer, singer and, bonus: a professional mortician! Harvey's fascination with death is detailed in her new semi-autobiographical novel, Death & Other Dances. Her band's new EP, Uncovered!, is a romp thru some of their favorite cover songs (ZZ Top and The Osmonds anyone?). Mosh spoke to Harvey in L.A,. a day before she departed on her current tour. Mosh: You have a lot going on currently with your new book, your new covers EP and your upcoming US tour. Lets start with your book, Death & Other Dances. I've read sever- al chapters so far and I enjoyed reading about your childhood. What inspired you to write it? Carla Harvey: Oh cool, thanks. As you read further into the book, you'll find out that it's about my time working in two separate industries, and one was the adult entertainment industry. I was a stripper and I also worked for Playboy for years. That changed my life, so I wanted to put that in my book and also talk about my customers at the strip club and their different backgrounds. [It was] during a time when there was a need for affection and touch, which is all very deprived of nowadays. That's basically the premise of the book. I've gotten positive reviews on it so far and I had fun with it. I'm really proud of it. Mosh: How were you discovered by Playboy? 38 illinoisentertainer.com october 2014 Mosh: You've acted in a few films and television shows, appearing on sitcoms Rules of Engagement and Til Death. What were those experiences like? CH: Well, it's all been fun, but to me, acting is just too easy. It's not like being stuck on stage where you're in front of a crowd and there are people in front of you. I don't really like being behind a camera or performing to the camera. It's not really fun for me anymore. But obviously it was a great experience to be able to do that. Not many people are able to do that and I've gotten to work with some incredible people. But being on stage playing music that we wrote is where it's at. I like the vibe of being on stage and the immediate action of that. Mosh: Are you equally inspired to draw as you are to write? CH: I am. I love both. When I was a kid, I sat in my room and listened to heavy metal and drew. That was my life. I was an introverted kid, so that's what I did. Comic books, music, writing and drawing have always been a huge part of my life. Mosh: You have such a natural and exotic look. Your mother was Italian/Finnish and your father was black. What was it like growing up in Detroit in the seventies? CH: My mom lost a lot of friends when she married my father, as it wasn't accepted back then to marry a black guy. It's crazy, it's been just 10 years since I grew up there when you weren't legally allowed to marry. That's how much the world has changed in the last 50 years. People seem to forget how it was. I just stuck to knowing who I was and what I wanted out of my life. I didn't pay much attention to what people said about me. It's difficult when you're a kid growing up and people are nasty to you based on the color of your skin. And it's not just white people. There were black people telling me that I didn't act black enough and that I wasn't a part of them because I didn't listen to rap music or whatever. I grew up as a rock 'n' roll kid and I remained a rock 'n' roll kid and I didn't care who didn't like it. Mosh: Since your band name was inspired by The Plasmatics's song, how much of an inspiration was singer Wendy O Williams to you? CH: We are greatly inspired by her. When Heidi and I were in a cover band together years ago, we used to do songs by the Plasmatics. We're both hugely-inspired by Wendy O Williams. She was a very strong figure for women and she had a message. And Heidi and I used to wear the "nipple tape" if you will, and that's why the band is called Butcher Babies. Mosh: On your new covers EP, was it difficult to decide which songs to choose? I believe each member picked one song. What's the significance of your pick? CH: My pick was "They're Coming To Take Continued on page 60 Continued on page 49