Illinois Entertainer October 2014 | Seite 12

tured as the front man. Frankie would speak louder without saying a word than most people speak with raising their saber and shouting. He would just give me a glance or a disapproving look or walk out of a room and that spoke louder than anything. I realized if I was going to make this band work, I would have to take on a different role and that was really the heart of our conflict. band that wasn't riding on anyone's coattails. IE: Has any of your perspective changed regarding what you detailed about Jimi in the wake of his unexpected passing? JP: Aside from the extreme sorrow and shock, nothing has changed. I'm very, very fortunate to have been his friend and mended all the fences of the days with two Survivors going out on the 10•2014 IE: You write a lot about "Eye Of The Tiger" and the Rocky soundtrack, but Survivor's Vital Signs record also matched if not surpassed its success with so many hits ["I Can't Hold Back," "The Search Is Over," "High On You"]. What was the feeling like amongst the band during the second wave of success? JP: It was really sweet. To be honest, I knew it was a hit record as we were making it. I would call our manager every other day and go "order the Porsche, this is gonna be huge!" We knew and when we heard those vocals come back from Jimi [Jamison, who replaced vocally ailing original singer Dave Bickler], everything was clicking. I always feel there's one moment in time in a band where everything comes together. Some might say it was the "Eye Of The Tiger," but I call it Vital Sings even more so. We had to re-prove ourselves that we weren't just the Rocky band, but we were our own road and I forgave him for that. He did what he had to do at the time and I understand his motivations. We mended that fence years ago, and when I left Survivor in 1996, it was my other dream to one day work with Jimi again, as a person and as a talent. We always got along. We would do radio shows together and just tear it up when we were on the road with Survivor laughing our assess off. So finally I got that chance in 2009 when he started coming to Chicago and we wrote, laughed and cut an album called Crossroads Moments. It only ended up with 13 cuts, which is still a lot of songs, but we cut 30 songs, some of which came out on an issue called Extra Moments, and some of them are still to be released, if ever. It was a dream come true to work with Jimi again and to hear that voice come across so well. IE: How did World Stage and Pride Of 12 illinoisentertainer.com october 2014 Ides Of March circa 1970, Petrik (center) Lions pop up after Survivor? JP: The first thing I wanted to do after Survivor was put together a thing called World Stage, which was calling to arms all my buddies that I toured with and wrote with, and our first show was actually in 1999 for the Rainbow Foundation, but it wasn't as developed as the first big one in 2000, which had Kevin Cronin of REO Speedwagon, Don Barnes of .38 Special, Kelly Keagy of Night Ranger, Kevin Chalfant of The Storm and many others. People couldn't get tickets and I knew this was something that was really worthy [It's now annual and coming to Wentz Hall in Naperville on Saturday, January 24, 2015]. Then around that time, my niece Kelly, that's [my wife] Karen's niece actually, said "Uncle Jim, I ran into this singer auditioning for this Dick Clark show named Toby Hitchcock. You've got to hear him." When Kelly says something I tend to believe her because she's a really good singer herself. Long story short, I tracked him down, he came to the studio, I heard his voice over the